Natalia

“Throughout my career, I have worked with the same elements: color and silk. Years of self-exploration and growth were expressed through color, while silk reflected the fluency and magic of life. Color and movement, I cannot separate one from the other. Thanks to silk, I flow between colors.”

Natalia Lumbreras trained as a fashion and textile designer in London. From very early on, her practice leaned more toward the poetry of the material than the demands of the fashion system. She chose silk not for its luxury, but for its life: for how it breathes, moves, and transforms color into something luminous and constantly changing.

After studying at the Heatherley School of Fine Art and graduating in 1991 from Saint Martin’s College of Art and Design, she trained at the Ian & Marcel Atelier, where she began painting directly on silk. The gesture of applying color to a living surface became the foundation of a practice that, more than three decades later, continues to blur the boundaries between art, design, and craft.

In 1992 she founded her own studio, from which she began producing limited editions of hand-painted or screen-printed silk scarves, as well as textile pieces with an artistic focus. Between 2001 and 2006 she had a store in Madrid, traveling to present her work at fashion salons in Paris and building relationships with clients in Japan, New York, and Paris. Her work, however, was never tied to fashion as trend, but to an artistic path in constant evolution and in ongoing sensory and temporal exploration.

Over the years she has collaborated with choreographers, designers, and interior decorators, and has also taught textile and fashion design at the Istituto Europeo di Design. A trip to Gujarat, India, in 1996 marked a turning point in her relationship with manual craftsmanship. There she learned traditional dyeing and embroidery techniques from nomadic communities near Pakistan. In 2009 she deepened her understanding of artisanal prêt-à-porter production in New Delhi.

These experiences with ancestral knowledge continue to inform her visual language, as do the years she spent apprenticing with the painter Monique de Roux (2009–2011) and with the painter and writer Jorge Castillo (2016–2018). Thanks to them, she expanded her practice into drawing and oil painting, while never abandoning intuition and gesture as fundamental principles.

She has been a member of the SACo board since 2019. She currently lives and works in Menorca, a new base from which she can continue to grow as an artist.

In this most recent stage of her career, she has participated annually with SACo in projects such as the Madrid Design Festival through group exhibitions sponsored by Mazda Spain. She has also held solo exhibitions every two years at the Madrid gallery Tiempos Modernos. Her most recent international event took place with SACo at Salon Révélations held at the Grand Palais in Paris.

Her most latest solo exhibition took place at the Convent de Sant Diego in Alaior, Menorca. The exhibition showcases her ongoing artistic exploration and presence within Menorca’s artistic landscape.

Iconic pieces

“As my main support, the silk is movement, line, color, always changing its form. I love it!”

1991

Works

01

Jarrón Azul
2025
Seda pintada a mano
1,31 m x 99 cm.

02

Jarrón Rosa
2025
Seda pintada a mano
1,28 x 1 m.

05

Biombo
2025
Seda pintada a mano, estructura de madera
2 x 2,10 m.

08A

Vasija Xi en colaboración con Cristina Vallejo (EL SUR)
2024
Vasija de seda pintada a mano
30 cm (diámetro) x 58 cm.

03

Stanley
2022
Seda pintada a mano
1 x 1 m.

04

Natland
2023
Seda pintada a mano
94 x 36 cm.

06

París
2024
Seda pintada a mano
53,5 x 53,5 cm.

07

Florence
2024
Seda pintada a mano
53,5 x 53,5 cm.

08

Vasija Xi en colaboración con Cristina Vallejo (EL SUR)
2024
Vasija de seda pintada a mano
30 cm (diámetro) x 58 cm.

09

SUN Verde
2022
Serigrafía en seda
63 x 60 cm.

11

SUN Negro
2022
Serigrafía en seda
63 x 60 cm.

12

Biombo Thirties
2025
Seda pintada a mano, estructura de madera
1,70 x 2,10 m.

14

Hoja Verde
2023
Lápiz sobre papel
37,5 x 29 cm.

15

Yellow Gold
2023
Lápiz sobre papel
37,5 x 29 cm.

16

Mural Natus
2015
Seda pintada a mano
1,15 x 3,10 m.

17

Yves
2021
Seda pintada a mano
40 x 40 cm.

18

La place pettit
2021
Seda pintada a mano
40 x 40 cm.

19

Power towel 3
2021
Seda pintada a mano
40 x 41 cm.

20

Mural PedroSam
2017
Seda pintada a mano
1 x 2 m.

21

Goncharova
2015
Seda pintada a mano
94 x 92 cm

22

Bodegón Juana
2013
Seda pintada a mano
1 x 1 m.

23

Bodegón China
2013
Seda pintada a mano
1 x 1 m.

24

Bodegón Asun
2013
Seda pintada a mano
1 x 1 m.

25

Birkin Pink
2021
Seda pintada a mano
32 x 32 cm.

26

Birkin Blue
2021
Seda pintada a mano
32 x 32 cm.

My Studio

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My Studio

Is a micro world where whatever is inspiring, whatever may be there to experience with. Inks, colors, pencils, brushes, threads, scissors, ideas, books, things from previous studios, even things I kept since college, share the same space sometimes in a very chaotic way.

At some point all comes along merging in a new creation and then it all makes sense.

“Works of Art that endure through time, crafts that are free and liberated from trends…this is what my work is about.”

Sustainability

Works of Art that endure through time, crafts that are free and liberated from trends…this is what my work is about.

Our proposal is one in which at least 80% of the process is hand made. This implies a slow way of creating and a final product that is meant to last in time.

We are working to change some of the materials used along the way to achieve a certificate of sustainability.

We are a team of four people, all of us creating and collaborating within optimal work conditions.

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